(For readers unfamiliar with Tatum, I highly recommend this youtube.com example of his piano mastery on the Jerome Kern standard “Yesterdays.” Peterson’s initial exposure to Tatum was supposedly so confidence shaking that the young man ceased playing entirely for a period of several months. The next Oscar Peterson piano lick we’ll examine uses a bluesy harmonized turn which he repeats over 3 bars. Every jazz pianist would soon know that Oscar was a master.” And 89-year-old Hank Jones, one of the few surviving be-bop piano greats, added in a statement to the Canadian Press, “He had a beautiful approach to ballads, which a lot of pianists forget.”, Marian McPartland, the fine British-born jazz pianist, whose remarkable National Public Radio show “Piano Jazz” has hosted virtually every significant jazz pianist over the past three decades, called Peterson “the finest technician that I have seen.” (The exceptional episode featuring Peterson is available in compact disc. A great way to make this your own is to experiment with different rhythmic variations. In the linear notes for the Oscar Peterson Trio’s 1962 album, Night Train, jazz pianist Dick Katz wrote, “the blues is the lifeblood of every self-respecting jazzman. Very effective in small groups, jam sessions, and in accompanying singers, O.P. Are you ready for the next ingredient? A few words are fitting here about Oscar Peterson’s life (1925–2007) and legacy. Let’s see how Oscar Peterson used a harmonized line in this solo. You'll learn beautiful jazz chords, fills, and more. The Dominant Bebop Scale is an 8-note scale originating from the Mixolydian Scale with an added Major 7th. Altered Dominants are Dominant 7th chord voicings that use chord extensions (9th, 11th, 13th) that have been altered (♭9, ♯9, ♯11, or♭13). The performance called Hot Jazz, featured Oscar Peterson and his jazz trio: Peterson on the piano, Russ Dufort on drums, and George Murphy on bass. He will be dearly missed, but always remembered. In C Major, you would expect to find a G7 functioning as a V chord. There is no question that Peterson has been a driving force in building the audience for straight-ahead jazz, but at the same time he has done relatively little to expand its artistic parameters. Very effective in small groups, jam sessions, and in accompanying singers, O.P. Although not generally thought of as a songwriter or arranger, he composed the score for Woody Allen’s 1972 film Play It Again, Sam. He also, perhaps not coincidentally, avoided the substance abuse issues that afflicted so many bebop masters. art tatum: king hell! Privacy Policy   |   Terms of Use, We want to hear from you! Taste.” Thigpen was most noted for his brush technique and articulate sense of pulse and swing. His performances have tended to be beautifully executed displays of technique but woefully we… After his passing in 2007, a Los Angeles Times article recounted his vast musical contribution with acknowledgements from jazz pianists Herbie Hancock, fellow Canadian Diana Krall, Dave Brubeck, Marian McPartland and producer Quincy Jones. By his mid-teenage years, Peterson’s prodigious performances led to talent show awards and almost legendary status with bands and in venues around Montreal and Toronto. recounted his vast musical contribution with acknowledgements from jazz pianists Herbie Hancock, fellow Canadian Diana Krall, Dave Brubeck, Marian McPartland and producer Quincy Jones. This site uses cookies to provide an optimal user experience. Peterson was himself somewhat critical of Powell, perhaps the most influential modern jazz pianist, calling his playing “uneven and unfinished.” Peterson was a perfectionist—there is not a mistake or bad measure in the thousands of hours he recorded—but at the same time there is a noticeable absence of those special moments that only someone willing to risk sounding “uneven” or “unfinished” can realize.
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